| 1 CD |
|
Notify when available |
| Label ACT music |
UPC 0614427906120 |
Catalogue number ACT 90612 |
Release date 01 November 2024 |
Keeping Company captures the essence of more than 20 years of close collaboration between two kindred spirits – pianist Bill Laurance and Michael League on oud and fretless bass. And it's kind of the antithesis of the multi-Grammy winning band Snarky Puppy, who brought them both to worldwide fame. As a duo, Laurance and League prove to be masters of atmosphere and darkly shimmering timbres, refined songwriters with a fine sense for clear, memorable melodies and improvisers who are so familiar with each other that it only takes a few notes to tell stories together.
The album continues the concept of its highly acclaimed predecessor Where You Wish You Were, released in 2023: influences from all around the Mediterranean between North Africa to Southern Europe, American folk and jazz come together in an atmospheric chamber music without borders. Bill Laurance and Michael League developed the ideas for Keeping Company during hours and hours of driving while on tour throughout Europe, playing some of the continent’s most beautiful concert halls. The songs are a direct result of living music nightly in this environment.
Their development as a duo continues to grow out of their respect, understanding and trust in one another both in the studio and on stage. Their second album demonstrates a more mature quality of writing, this time fully committing to a live approach with little to no overdubs, whilst embracing a stronger sense of freedom and personality in the performance. Keeping Company is a representation of the duo in a naked state, pure and unclouded by the usual perfectionism that tends to dominate the recording process. Under the counsel of fellow producer Nic Hard, the duo opted to keep overdubs to an absolute minimum and effectively make a live album, letting chemistry dominate over production. These songs were crafted to be played by two sets of hands. Keeping Company captures that, and nothing more.
Michael League is a 3-time Grammy Award-winning musician based out of Brooklyn, New York.
He is the creator and bandleader of instrumental music ensemble Snarky Puppy and world music group Bokanté, co-owner of Atlantic Sound Studios, and founder of the record label and music curation source GroundUP Music.
As a child of a military family, he was born in southern California and grew up in both Alabama and northern Virginia. Michael attended the University of North Texas’ jazz studies program for 4 years, then moved to nearby Dallas for another 3 years, where he worked with some of the most influential figures in modern gospel, R&B, and soul music, and was mentored by legendary keyboardist Bernard Wright (Miles Davis, Chaka Khan) before moving to Brooklyn, New York, in 2009.
Michael runs the instrumental music ensemble Snarky Puppy, whose grass-roots approach to the changing music industry has met major critical and commercial success, as well as two Grammy awards in three years. The first was with Lalah Hathaway on Family Dinner – Volume One for “Best R&B Performance” in 2014, and the second in 2016 for “Best Contemporary Instrumental Album” with the Metropole Orkest on Sylva, a 60-minute suite of music written by Michael for the 64-piece ensemble. They have been on the cover of both Jazz Times and Downbeat magazines, the feature story in the Sunday Arts section of the New York Times, voted “Best Jazz Group” in the 2015 Downbeat Reader’s Poll, voted “Best New Artist” and “Best Electric/Jazz-Rock/Contemporary Group/Artist” in the 2014 Jazz Times Reader’s Poll, and called “one of the most versatile groups on the planet” by Rolling Stone. The band, independent since its inception in 2004, has performed over 1200 times on six continents.
Aside from leading Snarky Puppy, Michael maintains a heavy schedule in multiple capacities. As a bassist and guitarist, he has worked with a diverse range of artists in pop (David Crosby, Laura Mvula, Lalah Hathaway), gospel (Kirk Franklin, Walter Hawkins, Marvin Sapp, Israel Houghton), jazz (Ari Hoenig, Wayne Krantz, Chris Potter, Lionel Loueke), and world (Salif Keïta, Carlos Malta, Väsen, Susana Baca) music.
He is currently producing solo albums for David Crosby and Salif Keïta, as well as seven new independent artists. Michael’s efforts as a bandleader and bassist earned him a chapter in the Random House release “The New Face of Jazz” alongside the likes of Wynton Marsalis and Sonny Rollins, as well as the cover spot on the August 2014 issue of Bass Player Magazine, the largest bass publication in the world.
Seeking to capitalize on the music-hungry, audiophile fanbase that developed around Snarky Puppy, Michael launched the imprint GroundUP Music under the umbrella of indy label Ropeadope Records in 2011. He immediately signed eight new, unknown artists including Banda Magda, Bill Laurance, and the Funky Knuckles. With the growth of the label, GroundUP went fully independent in 2016 and accumulated a roster of both well-known and upcoming acts in an ambitious year of over a dozen releases. Michael brokered a unique partnership with Universal Music in which GroundUP and its artists retain complete creative independence while working with the distribution giant to do what it does best- promote and make music easily available worldwide.
Due to an intense travel schedule, Michael has been without a physical address for the last two years. He will be moving back to Brooklyn in the fall of 2016 to open the new incarnation of Atlantic Sound Studios, a full-production recording space set to be the center of the GroundUP audio and video community. In addition to being a commercial public studio, it will also be used as the setting for a new online video lessons initiative beginning with specialized tutorials from each individual member of Snarky Puppy.
Michael is passionately committed to music education and outreach, having given clinics and masterclasses at over 200 schools around the world. He is active as a guest speaker in international music business panels and works regularly with non-profit organizations in an effort to better serve the community at large through the arts.
“I’ve played a lot of gigs that require one nice, supportive bass sound all night—Snarky Puppy is not one of them,” says Michael. “I have to have clarity, beef, natural warmth, the versatility to handle ambitious effect choices, and the power and depth to support a deep, resonant keybass. I thought it was impossible to find a rig that could do it all without compromise, until now. Not to mention the fact that the people at Markbass really care about music, and sound. I spent 2 hours on the phone with them as they helped craft the perfect combination of gear for what I needed. Now, I can’t imagine playing anything else.”
Michael has partnered with Marco De Virgiliis and Markbass team to develop a signature amp and cab with classic tone and impeccable sonic integrity.
“As bassists, we all know that good tone starts in our hands. But once we start seeking out the gear to best amplify it, we have almost unlimited options for our sound. Between our choices of instrument, strings, and cabinet, it can get a bit overwhelming. Marco and I wanted to create an amplifier that makes things simple, one that makes you feel at home with an old-school versatility that can suit practically any genre of music. The great amps of the past have all share the same qualities: rich and deep lows, a warm and punchy midrange, and the ability to get a great sound the second you plug in. The Markbass CASA has all of these. Out of curiosity, I ran a blind listening test for four professionals- two recording engineers and two musicians, using five different amplifiers and over a dozen different basses. On almost every single pass, the Markbass CASA was unanimously chosen alongside the classic amps as the favorite sound for each instrument.” —Michael League—
His brand new solo release HOPE comprises 3 parts exploring the aspiration of hope: trust, persistence and change. A track commissioned by the Internationally acclaimed dancer/choreographer and Artistic director Hope Boykin for the Hope Boykin Dance Company, it premiered as part of the Philadelphia Ballet's work Endure in February 2023.
“In a world of such uncertainty HOPE is an exploration into how and why we should remain hopeful.” (Bill Laurance)
The record follows a frenetic run of solo albums that include Affinity (2022), Live at the EFG London Jazz Festival (2021) and Cables (2019), as well as his most recent collaboration with Snarky Puppy bassist Michael League entitled Where You Wish You Were (2023). HOPE is a a natural continuation of Laurance’s lifelong infatuation with the piano. This began with a childhood love of ragtime, demonstrating an early determination by earning his keep over three summers at a Soho restaurant residency.
How the flint first sparked....Attending the University of Leeds, he majored in classical composition, exploring jazz, funk and drum’n’bass in addition to classical music. Since then he has honed the melodic immediacy of this approach, along with his intense improvisational prowess, forging a distinctive personal style that embraces English classical, electronica and jazz-rock sensibilities, alongside gritty contemporary grooves.
In the early-noughties, a twenty-something Laurance was trying to make a living on the Leeds music scene, when an unremarkable but timely pick-up gig presented itself with a young Michael League in singer Michael Solomon Williams’ band. Gigs in the north of England forged a friendship with League, who happened to be looking for a new piano player, and League invited Laurance to the US to record the first Snarky Puppy album, The Only Constant, and the rest, as they say, is history.
Since then, Laurance has clocked up recordings and or performances with such renowned artists as David Crosby, Morcheeba, Salif Keita, Terence Blanchard, Susana Baca, Lalah Hathaway, Laura Mvula, Jacob Collier, Musiq Soul Child, Khalid Sansi, Chris Potter, Lionel Loueke, Carlos Malta, The Metropole Orchestra and the WDR Big Band. He has also worked extensively in the dance world with companies including Alvin Ailey, Ballet Rambert, Matthew Bourne's Adventures in Motion Pictures, Phoenix Dance, Northern Ballet Theatre and the English National Ballet. He has also composed music for a variety of different clients including Apple, Sky, Nokia and Hewlett Packard.
He is a champion of cutting-edge keyboard developments and is endorsed by: Moog, Mellotron, Sequential, Korg, Nord, Roli Seaboard, Yamaha, Roland, Arp Odyssey, Keyscape, Sound Brenner, Native Instruments and MXR. Alongside Laurance’s touring as a solo artist and with Snarky Puppy, Laurance is the Artist in residence at Morley College London. He is is a passionate educator and continues to give clinics at music institutions all over the world.
Michael League is a 3-time Grammy Award-winning musician based out of Brooklyn, New York.
He is the creator and bandleader of instrumental music ensemble Snarky Puppy and world music group Bokanté, co-owner of Atlantic Sound Studios, and founder of the record label and music curation source GroundUP Music.
As a child of a military family, he was born in southern California and grew up in both Alabama and northern Virginia. Michael attended the University of North Texas’ jazz studies program for 4 years, then moved to nearby Dallas for another 3 years, where he worked with some of the most influential figures in modern gospel, R&B, and soul music, and was mentored by legendary keyboardist Bernard Wright (Miles Davis, Chaka Khan) before moving to Brooklyn, New York, in 2009.
Michael runs the instrumental music ensemble Snarky Puppy, whose grass-roots approach to the changing music industry has met major critical and commercial success, as well as two Grammy awards in three years. The first was with Lalah Hathaway on Family Dinner – Volume One for “Best R&B Performance” in 2014, and the second in 2016 for “Best Contemporary Instrumental Album” with the Metropole Orkest on Sylva, a 60-minute suite of music written by Michael for the 64-piece ensemble. They have been on the cover of both Jazz Times and Downbeat magazines, the feature story in the Sunday Arts section of the New York Times, voted “Best Jazz Group” in the 2015 Downbeat Reader’s Poll, voted “Best New Artist” and “Best Electric/Jazz-Rock/Contemporary Group/Artist” in the 2014 Jazz Times Reader’s Poll, and called “one of the most versatile groups on the planet” by Rolling Stone. The band, independent since its inception in 2004, has performed over 1200 times on six continents.
Aside from leading Snarky Puppy, Michael maintains a heavy schedule in multiple capacities. As a bassist and guitarist, he has worked with a diverse range of artists in pop (David Crosby, Laura Mvula, Lalah Hathaway), gospel (Kirk Franklin, Walter Hawkins, Marvin Sapp, Israel Houghton), jazz (Ari Hoenig, Wayne Krantz, Chris Potter, Lionel Loueke), and world (Salif Keïta, Carlos Malta, Väsen, Susana Baca) music.
He is currently producing solo albums for David Crosby and Salif Keïta, as well as seven new independent artists. Michael’s efforts as a bandleader and bassist earned him a chapter in the Random House release “The New Face of Jazz” alongside the likes of Wynton Marsalis and Sonny Rollins, as well as the cover spot on the August 2014 issue of Bass Player Magazine, the largest bass publication in the world.
Seeking to capitalize on the music-hungry, audiophile fanbase that developed around Snarky Puppy, Michael launched the imprint GroundUP Music under the umbrella of indy label Ropeadope Records in 2011. He immediately signed eight new, unknown artists including Banda Magda, Bill Laurance, and the Funky Knuckles. With the growth of the label, GroundUP went fully independent in 2016 and accumulated a roster of both well-known and upcoming acts in an ambitious year of over a dozen releases. Michael brokered a unique partnership with Universal Music in which GroundUP and its artists retain complete creative independence while working with the distribution giant to do what it does best- promote and make music easily available worldwide.
Due to an intense travel schedule, Michael has been without a physical address for the last two years. He will be moving back to Brooklyn in the fall of 2016 to open the new incarnation of Atlantic Sound Studios, a full-production recording space set to be the center of the GroundUP audio and video community. In addition to being a commercial public studio, it will also be used as the setting for a new online video lessons initiative beginning with specialized tutorials from each individual member of Snarky Puppy.
Michael is passionately committed to music education and outreach, having given clinics and masterclasses at over 200 schools around the world. He is active as a guest speaker in international music business panels and works regularly with non-profit organizations in an effort to better serve the community at large through the arts.
“I’ve played a lot of gigs that require one nice, supportive bass sound all night—Snarky Puppy is not one of them,” says Michael. “I have to have clarity, beef, natural warmth, the versatility to handle ambitious effect choices, and the power and depth to support a deep, resonant keybass. I thought it was impossible to find a rig that could do it all without compromise, until now. Not to mention the fact that the people at Markbass really care about music, and sound. I spent 2 hours on the phone with them as they helped craft the perfect combination of gear for what I needed. Now, I can’t imagine playing anything else.”
Michael has partnered with Marco De Virgiliis and Markbass team to develop a signature amp and cab with classic tone and impeccable sonic integrity.
“As bassists, we all know that good tone starts in our hands. But once we start seeking out the gear to best amplify it, we have almost unlimited options for our sound. Between our choices of instrument, strings, and cabinet, it can get a bit overwhelming. Marco and I wanted to create an amplifier that makes things simple, one that makes you feel at home with an old-school versatility that can suit practically any genre of music. The great amps of the past have all share the same qualities: rich and deep lows, a warm and punchy midrange, and the ability to get a great sound the second you plug in. The Markbass CASA has all of these. Out of curiosity, I ran a blind listening test for four professionals- two recording engineers and two musicians, using five different amplifiers and over a dozen different basses. On almost every single pass, the Markbass CASA was unanimously chosen alongside the classic amps as the favorite sound for each instrument.” —Michael League—
His brand new solo release HOPE comprises 3 parts exploring the aspiration of hope: trust, persistence and change. A track commissioned by the Internationally acclaimed dancer/choreographer and Artistic director Hope Boykin for the Hope Boykin Dance Company, it premiered as part of the Philadelphia Ballet's work Endure in February 2023.
“In a world of such uncertainty HOPE is an exploration into how and why we should remain hopeful.” (Bill Laurance)
The record follows a frenetic run of solo albums that include Affinity (2022), Live at the EFG London Jazz Festival (2021) and Cables (2019), as well as his most recent collaboration with Snarky Puppy bassist Michael League entitled Where You Wish You Were (2023). HOPE is a a natural continuation of Laurance’s lifelong infatuation with the piano. This began with a childhood love of ragtime, demonstrating an early determination by earning his keep over three summers at a Soho restaurant residency.
How the flint first sparked....Attending the University of Leeds, he majored in classical composition, exploring jazz, funk and drum’n’bass in addition to classical music. Since then he has honed the melodic immediacy of this approach, along with his intense improvisational prowess, forging a distinctive personal style that embraces English classical, electronica and jazz-rock sensibilities, alongside gritty contemporary grooves.
In the early-noughties, a twenty-something Laurance was trying to make a living on the Leeds music scene, when an unremarkable but timely pick-up gig presented itself with a young Michael League in singer Michael Solomon Williams’ band. Gigs in the north of England forged a friendship with League, who happened to be looking for a new piano player, and League invited Laurance to the US to record the first Snarky Puppy album, The Only Constant, and the rest, as they say, is history.
Since then, Laurance has clocked up recordings and or performances with such renowned artists as David Crosby, Morcheeba, Salif Keita, Terence Blanchard, Susana Baca, Lalah Hathaway, Laura Mvula, Jacob Collier, Musiq Soul Child, Khalid Sansi, Chris Potter, Lionel Loueke, Carlos Malta, The Metropole Orchestra and the WDR Big Band. He has also worked extensively in the dance world with companies including Alvin Ailey, Ballet Rambert, Matthew Bourne's Adventures in Motion Pictures, Phoenix Dance, Northern Ballet Theatre and the English National Ballet. He has also composed music for a variety of different clients including Apple, Sky, Nokia and Hewlett Packard.
He is a champion of cutting-edge keyboard developments and is endorsed by: Moog, Mellotron, Sequential, Korg, Nord, Roli Seaboard, Yamaha, Roland, Arp Odyssey, Keyscape, Sound Brenner, Native Instruments and MXR. Alongside Laurance’s touring as a solo artist and with Snarky Puppy, Laurance is the Artist in residence at Morley College London. He is is a passionate educator and continues to give clinics at music institutions all over the world.
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